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Chorale and Sarabande, two ways of moving forward, in an ideal meeting point between a dance and a homophonic song, are the basis for the construction of this short piece in the form of a romanza. The chorale, in its light suavity, underlined by the delicate timbre of the harps, is intersected by the unfurled line of the central sarabande, accompanied by wide rips like an orchestra of plectrums, like a nocturnal melody. A conducting motif now acts as a pivot, now as an accompaniment for both sections and fades quietly into the delicate finale.